缘缘堂随笔读后感精彩7篇

缘缘堂随笔读后感最近看完丰子恺先生的《缘缘堂随笔》，丰先生睿智的思维和豁达的人生态度，让我敬畏万分，其中《渐》让我感处最深。作文迷的小编精心为您带来了缘缘堂随笔读后感精彩7篇，如果能帮助到您，小编的一切努力都是值得的。

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缘缘堂随笔读后感 篇1缘缘堂随笔读后感 篇2缘缘堂随笔读后感 篇3缘缘堂随笔读后感 篇4缘缘堂随笔读后感 篇5缘缘堂随笔读后感 篇6缘缘堂随笔读后感 篇7

缘缘堂随笔读后感 篇1

天色渐渐暗了下来，可屋里的我却依然捧着那本书。因为老师偶然的推荐，我才遇到这本如此有爱的书。

It was getting dark, but I was still holding the book in the room. Because of the teacher's occasional recommendation, I met this book with such love.

《缘缘堂随笔》是由丰子恺写的一本书。提到丰子恺，我便要提一提那些朴素、自然的文字了。没有太多华丽的词藻，也不使用那些深奥的语句，偶尔还会出现种种古风的名句，还有那些有趣故事，读起来真是津津有味。

The Essay of Yuanyuantang is a book written by Feng Zikai. When referring to Feng Zikai, I will mention those simple and natural words. There are not too many gorgeous words, nor do you use those profound sentences. Occasionally, there are all kinds of ancient famous sentences, as well as those interesting stories, which are really interesting to read.

再来说一说这本的的内容吧！我认为，全书有两大种对爱的解读：一是对孩子们的爱，二是对丰子恺生活的地方，缘缘堂的爱。

Let's talk about the content of this book again! In my opinion, there are two interpretations of love in the book: one is the love for children, and the other is the love for Feng Zikai's place of life, Yuanyuantang.

一、对孩子的爱

1、 Love for children

丰子恺认为，孩子是人们最棒的老师，他们能撤去事物的因果关系的网，看见事物的本身的真相，所以他十分羡慕小孩子们，也正因如此，他有对孩子爱的独特解读。

Feng Zikai believes that children are the best teachers of people. They can remove the causal network of things and see the truth of things themselves, so he envies children very much. Because of this, he has a unique interpretation of children's love.

整本书中，最令我难忘的便是《送阿宝出黄金时代》。这篇文篇，作者写出了送阿宝出黄时期悲喜交集的心情。悲是因为阿宝将推动童年所拥有的童真与童趣，还有那些对外界事物独特的见解，喜则是因为作者认为阿宝将要成为大女孩了。作者还举了几个阿宝小时和现在的全然不同的做事风格，这也更使我感受到了作者当时悲喜交集的无奈心情。我看的时候，心中也是一揪一揪的，也是犹豫极了。是啊，生活中，这样的无奈，悲喜交加的时候不也很多吗？就比如我小学毕业时，心情是那样复杂，又有对六年同学深深友情的不舍，还有对新学校、新环境、新学期的期待。想到这些，读书时的心情便有了更深一层的解读。

In the whole book, the most unforgettable one is "Send A Bao to the Golden Age". In this article, the author wrote the mixed feelings of sadness and joy during the period of sending Ah Bao out of the Yellow River. Sadness is because Po will promote the childlike innocence and interest in childhood, as well as those unique views on external things. Joy is because the author thinks Po will become a big girl. The author also cited several different working styles of Ah Bao's hours, which also made me feel the helpless mood of the author at that time. When I saw it, I was also hesitant. Yes, in life, there are so many helpless, sad and joyful times? For example, when I graduated from primary school, my mood was so complicated, I was reluctant to give up the deep friendship of my classmates for six years, and I also expected a new school, a new environment, and a new semester. Thinking of these, we can have a deeper understanding of our mood when reading.

二、对家乡的爱

2、 Love for hometown

对于家乡缘缘堂，丰子恺也特意用了许多笔墨写出“我”对它的爱意与思念。书中，也写到了许多作者与缘缘堂之间的故事，对于我来说，有趣、新奇、好玩，但当然，更多的则是作者在字里行间，透露出对缘缘堂的喜爱与思念。

Feng Zikai also used a lot of pen and ink to write his love and missing for his hometown Yuanyuan Hall. In the book, there are also many stories between the author and Yuanyuantang. For me, they are interesting, novel and fun, but of course, more often than not, the author reveals his love and yearning for Yuanyuantang between the lines.

令我记忆最深的就是《告缘缘堂在风之灵》。文中，作者写到离开缘缘堂之后对它深切的思念，还写了一篇《还我缘缘堂》为它伸冤，如此深切的爱与思念，丰子恺也是花了许多心思的，连缘缘堂这名字，也来源于作者。离别时，作者对缘缘堂的无限不舍，也是从那朴素但铿锵有力的文字汩汩流出，正是因为这字字那样自然，我才能如感同身受。

What impressed me most was "The Spirit of Jiaoyuantang in the Wind". In the article, the author wrote about his deep yearning for Yuanyuan Hall after he left it, and also wrote an article "Give Back My Yuanyuan Hall" to avenge it. Feng Zikai also spent a lot of time thinking about such deep love and yearning, and even the name of Yuanyuan Hall comes from the author. When leaving, the author's endless perseverance to Yuanyuantang also flowed from the simple but powerful words. It is precisely because the words are so natural that I can feel the same.

小时侯，我老家边上，有一座水桥，以前奶奶总会还着我去看船、看山、看田，许多美丽的景物，我都是那时看到的，当然记忆最深，记忆中的那里，永远是充满美的。长大后，我在硖石住了很久，再回去一看，那水桥已经不见，只剩下一片田野，孤零零地生长，还有那渐渐浑浊的水，我的心立马凉了，望着那片孤单的田，主中空落落的，现在已经忘记那天是怎么回家的，如今再想起来，心里便只有思念与热爱了。想毕，丰子恺的心情，也正是如此吧！

When I was a child, there was a water bridge near my hometown. My grandmother used to take me to see boats, mountains and fields. I saw many beautiful scenery at that time. Of course, I have the deepest memory. The place in my memory is always full of beauty. When I grew up, I lived in Xiashi for a long time. When I went back, the water bridge was gone. There was only a field left, growing alone, and the gradually turbid water. My heart immediately cooled. Looking at the lonely field, the Lord was empty. Now I have forgotten how to go home that day. Now when I think about it, I can only miss and love it. After thinking about it, Feng Zikai's mood is just like this!

看完了《缘缘堂随笔》，慢慢合上书，脑海里的思绪却不以退去，这些朴素的文字，有趣的故事，还有深深的爱，真值得我去回味，也正要谢谢这本书，让我也对爱有了更深的解读。

After reading the "Yuan Yuan Tang Essay", slowly close the book, but the thoughts in my mind do not fade away. These simple words, interesting stories, and deep love are really worth my aftertaste, and I want to thank this book for giving me a deeper understanding of love.

缘缘堂随笔读后感 篇2

余秋雨的《文化苦旅》，读时累，读后轻松；而它，《缘缘堂随笔》，读时轻松，读后，更是心中畅快。

Yu Qiuyu's Cultural Journey is tiring and relaxing after reading it; And it, "Yuanyuantang Essay", is easy to read, and after reading, it is more comfortable in the mind.

一、笔是质朴的笔

1、 The pen is simple

丰子恺的散文大多通过质朴的语言表达率真的情感。他一向反对“做”文章，反对用生僻，晦涩的词语。他的散文和他的漫画一样，纯粹自然。在《艺术漫谈》中他曾形象地把艺术比作米、麦，认为艺术应该大众化，为大众所欣赏和接受，如同家家户户每天能吃到的米和麦一样普及，而不应该成为只供少数人享用的山珍海味。用笔如此质朴无华，容易读懂，忙中抽出两三个小时即可读完，为此我也推荐给了我的初一学生。

Feng Zikai's prose mostly expresses frank feelings through simple language. He has always opposed "doing" articles and using obscure and obscure words. His prose is as natural as his cartoons. In "Art Talk", he vividly compared art to rice and wheat, and believed that art should be popularized, appreciated and accepted by the public, just like rice and wheat that every family can eat every day, and should not be a delicacy of mountains and seas that only a few people can enjoy. The pen is so simple and plain that it is easy to understand. I can take two or three hours to finish it in a busy time. For this reason, I also recommended it to my first year students.

二、事是纯粹的事，理是说不完的理

2、 Things are pure and reason is inexhaustible

丰子恺常常能从平凡琐屑的事物中，写出深刻的人生哲理，或暗示现实社会种种较深入的问题。《我的母亲》是一个例子，从母亲的座位，坐姿这一特定的角度，姿态，他看到那承担了严父慈母双重任务的母亲形象；《从孩子得到的启示》中，两个孩子在他眼前力争自己好，别人不好，他惭愧自己比孩子还“蒙”、“昏”：孩子常是成心而言的，诚实的，而大人则难得有一日不犯“言不由衷”的`恶德。丰子恺爱写儿童，显然是要用大人之间的隔膜与孩童的天真相对照。就是吃瓜子这样一件小事也逃不过丰先生的法眼，《吃瓜子》一文中他例举了各种吃瓜子的方法，从看似漫不经心的闲谈中点出主旨：而能尽量地享用瓜子的中国人，在消闲一道上真是了不起的积极的实行家！试看店中瓜子的畅销，试看茶楼、家中满地瓜子壳，便可想到中国人在“咯、呸、的”的声音中消磨时间……

Feng Zikai can often write profound philosophy of life from ordinary and trivial things, or hint at various deeper problems in the real society. My Mother is an example. From the specific angle and posture of the mother's seat and sitting posture, he sees the image of the mother who has undertaken the dual task of strict father and loving mother; In the Inspiration from Children, two children strive for their own good and others' bad in front of him, and he is ashamed that he is "deluded" and "dizzy" than the children: children are often intentional and honest, while adults rarely do not commit the "insincere" 'bad virtue one day. Feng Zikai loves to write about children, which is obviously a contrast between adults and children's innocence. Even eating melon seeds can't escape Mr. Feng's eyes. In the article "Eating melon seeds", he cited various ways to eat melon seeds, and pointed out the main idea from seemingly casual gossip: Chinese people who can enjoy melon seeds as much as possible are really great active practitioners in leisure! Just look at the best-selling melon seeds in the shop, look at the teahouse and the melon seed shells everywhere in the home, and you can think of the Chinese people killing time in the voice of "cluck, boo, boo"

此种平凡小事见哲理的写法，用他自己的话说，就是“最喜小中能见大，还求弦外有余音”。

In his own words, such ordinary things are written in a philosophical way, that is, "I like to see the big in the small, and I also want the residual sound outside the string".

三、魂是纯洁的魂

3、 The soul is pure

巴金先生曾说：我的脑子里有一个“丰先生”的形象：与世无争、无所不爱、一颗纯洁无垢的孩子的心。而丰子恺先生的这本《缘缘堂随笔》便将巴金脑子里的这个“丰先生”形象表现得活灵活现。丰先生之所以能看到这纯粹的小事，用好这支质朴的笔，说着世间人都读的明白的理，大概都因他纯洁的灵魂了。像这样一个人，就算被禁锢在一个房间也能找到他的快乐罢。这一点在他《闲居》这篇散文中可以得到证实。

Mr. Ba Jin once said: I have an image of "Mr. Feng" in my mind: a pure child's heart that is aloof from worldly affairs, loves everything. Feng Zikai's "Yuan Yuan Tang Essay" shows the image of "Feng" in Ba Jin's mind vividly. The reason why Mr. Feng can see such a simple thing, make good use of this simple pen, and say the truth that everyone in the world can understand is probably because of his pure soul. Such a person can find his happiness even if he is confined in a room. This can be proved in his prose "Leisure Dwelling".

《华严经》中有这样的四个字，叫做“不忘初心”。这样断章取义的一句话在网上有诸多解释，然而我还是倾向于理解为“不要忘记最初时候的本心，就是人之初那一颗与生俱来的善良、真诚、无邪、博爱、进取之心”。读到丰子恺的散文集《缘缘堂随笔》，我真正看到了一个不忘本心的人。

There are four words in the Huayan Sutra, which are called "never forget the original intention". There are many explanations for this sentence taken out of context on the Internet, but I still tend to understand it as "Don't forget the original intention at the beginning, that is, the innate kindness, sincerity, innocence, fraternity and enterprising spirit". When I read Feng Zikai's collection of essays, "Essays in Yuanyuantang", I really saw a person who never forgot his original intention.

如今我讲此书置于枕边，每每捧而读之，脑海和心灵都如冬日清空一般历历分明。离开校园将近两年，前途已不如当初清晰。但不管时间如何流逝，前途如何迷茫，都不要忘了最初那颗善良、真诚、博爱、进取之心。

Now when I say that this book is placed by my pillow and I read it every time I hold it, my mind and heart are as clear as in winter. Nearly two years away from the campus, the future is not as clear as it was. But no matter how time goes by and how confused the future is, don't forget the original kind, sincere, philanthropic and enterprising heart.

缘缘堂随笔读后感 篇3

丰子恺先生是我国著名的作家和漫画家，我最近读了他写的《缘缘堂随笔》，缘缘堂是作者在石门湾的家，后来日军侵略石门湾时被炸毁。书中讲了作者对童年、亲人和家乡的回忆与思念。其中我最喜欢的有《我的母亲》和关于缘缘堂的几篇文章，先来说《我的母亲》。

Mr. Feng Zikai is a famous writer and cartoonist in China. I recently read his Essay on Yuanyuan Hall. Yuanyuan Hall is the author's home in Shimen Bay. Later, when the Japanese army invaded Shimen Bay, it was bombed. The book tells about the author's memories and yearnings for his childhood, relatives and hometown. Among them, my favorite is My Mother and several articles about Yuanyuantang. First, my mother.

在这篇文章中，作者写了自己对母亲的回忆。他的母亲总是坐在八仙椅子上，眼睛里发出严肃的光辉，口角上表出慈爱的笑容。当她探问作者学业时，她严肃；当她欢迎作者归家时，她慈祥；当告诫作者时，她严肃；当关照作者时，她慈祥……

In this article, the author wrote his memories of his mother. His mother always sat on the chair of the Eight Immortals, with her eyes shining seriously and her mouth smiling kindly. When she inquired about the author's studies, she was serious; When she welcomed the author home, she was kind; When admonishing the author, she is serious; When caring for the author, she is kind

作者的母亲在他三十三岁时就逝世了，可作者对她的记忆还那么深，在这段回忆中，有快乐还有忏悔。作者因为接受了母亲的表扬，可没全接受母亲的批评。正如文中所说的：“昔闻长者言，掩耳每不喜”，他为此感到有点忏悔。他在文章中还表现出了他对母亲深厚的感情与犹新的记忆。

The author's mother died at the age of 33, but the author still remembers her so deeply that there are happiness and repentance in this memory. The author did not fully accept her mother's criticism because she accepted her mother's praise. As the text said: "I heard the elders' words in the past, but I didn't like them." He felt a little contrite for this. He also showed his deep feelings and fresh memories of his mother in the article.

写缘缘堂的几篇文章令我记忆更深。他先介绍了缘缘堂是他亲手设计的，并且在屋里的陈设上一直坚持他的风格，别人给他一个黑人木雕，他不要。因为他认为缘缘堂的性格是和平幸福的，这种“残忍而非人道”的东西不适合它。从有“缘缘堂”这个名字开始，作者已经把这房子当作一个有生命，有个性的人来看待了。而这种“简单朴素”、“和平幸福”的生活正是作者所向往的。

Several articles about Yuanyuantang made me remember them better. He first introduced that Yuanyuan Hall was designed by him, and he always insisted on his style in the furnishings of the house. He didn't want a black wood carving given to him. Because he thinks that the character of Yuanyuantang is peaceful and happy, and this kind of "cruel but inhuman" thing is not suitable for it. Since the name of "Yuanyuantang", the author has regarded the house as a person with life and personality. This kind of "simple and plain", "peaceful and happy" life is exactly what the author yearns for.

“你是我的安息之所，你是我的归宿之处。”从这里我读出了作者与五岁多的缘缘堂结下的深厚的感情。在这个朴素的院落中，有春天的和平幸福、夏天的欢喜畅快、秋天的安闲舒适、冬天的温暖安逸，还有书香阵阵、欢声笑语……这都是让作者不断回想的记忆。

"You are my resting place and my destination." From here, I read the author's deep feelings with Yuanyuantang, who is more than five years old. In this simple courtyard, there are peace and happiness in spring, joy and cheerfulness in summer, leisure and comfort in autumn, warmth and comfort in winter, as well as bursts of scholarly interest, laughter and laughter... These are memories that the author constantly recalls.

可是当日军侵略，攻破杭州与上海，作者在这些文章中多次写到石门湾也被攻破。他和家人当时为了保命，被迫离开缘缘堂，逃到别的地方去了。但是他对缘缘堂是那么的依依不舍，“与其死在野外，不如与你（指缘缘堂）同归于尽，所以我们大家站着不动，幸而炸弹没有光降到你身上”。他是那样的爱缘缘堂，可是他没想到，这匆忙的一别，竟是他与缘缘堂的永绝。

However, the Japanese army invaded Hangzhou and Shanghai, and the author wrote many times in these articles that Shimen Bay was also attacked. He and his family were forced to leave Yuanyuan Hall and flee to other places to save their lives. But he was so reluctant to part with Yuanyuan Hall. "It's better to die with you (Zhiyuanyuan Hall) than to die in the wild, so we all stood still. Fortunately, the bomb didn't fall on you". He loved Yuanyuantang so much, but he did not expect that this hasty departure would be his everlasting departure from Yuanyuantang.

他相信，缘缘堂被炸毁后，在天上是有它的灵的。让我更难忘的是他还认为，缘缘堂若是被敌军的飞机炸毁的，它一定很不甘心，可它若是被我军的大炮焚毁的话，它一定很心甘情愿，而且，作者也愿拿缘缘堂换来我军的胜利。作者的敢于失舍、忠于国家深深地打动了我。

He believed that Yuanyuan Hall had its spirit in the sky after it was destroyed. What makes me even more unforgettable is that he also thinks that if Yuanyuantang was bombed by the enemy's aircraft, it must be very unwilling, but if it was burned by our artillery, it must be very willing, and the author is willing to exchange Yuanyuantang for our victory. I was deeply moved by the author's courage to give up and loyalty to the country.

读完《缘缘堂随笔》，作者娓娓道来的一个一个故事像缓缓的泉水一样深入心田，像清香的茶水一样沁人心脾，像和风细雨一样温润人心。我领悟了母爱的伟大，我崇敬作者的爱国，我欣赏作者朴素、和平的内心。我也希望能有一个像缘缘堂这样属于自己的精神花园。

After reading the Essay of Yuanyuan Hall, the author told stories that went deep into his heart like slow springs, refreshing like fragrant tea, and warm like gentle wind and rain. I understand the greatness of maternal love. I respect the author's patriotism. I appreciate the author's simple and peaceful heart. I also hope to have a spiritual garden of my own like Yuanyuan Hall.

缘缘堂随笔读后感 篇4

一直就很想去看看散文兼漫画大师丰子恺久负盛名的大作《缘缘堂随笔》，可是有时间的时候没有精力，有精力的时候又没有时间，只能利用一些拼凑的零散时间，终究不能全部看完，挑着看了大部分。

I have always wanted to see Feng Zikai, a prose and comic master,'s famous masterpiece, "Yuan Yuan Tang Essay". But when I have time, I have no energy, and when I have energy, I have no time. I can only use some piecemeal time. After all, I can't read all of it. I chose to read most of it.

有人说，他写的东西存在着个人主义色彩，我认同这点，但我想问，每个人写的东西，或多或少不都倾向于个人色彩吗？我喜欢他的散文，他将人的直观感受用一种几近哲学的语言写的让你感觉是那么深刻却又贴近人心。例如“我——我们大人——的举止的警惕，是为了身体手足的筋骨已经受了种种现实的压迫而痉挛了的缘故”。再如在《儿女》篇里，大人与其子女由于岁月的间隔，其生活方式的描写“因为我那种生活，或枯坐，默想，或钻研，搜求，或敷衍，应酬，比较起他们的天真，健全，活跃的生活来，明明是变态的，病的，残废的。” 大人与子女或者小孩的行为方式和生活方式是显然不同的，我时常羡慕那些五六岁天真烂漫的稚童，喜欢便是喜欢，我就是要得到什么东西，张口就来，想打你就打你，而我们大人生活在一个假话圈里，就像作者在《作父亲》那散文里，作者的小儿子元草听到担担子卖小鸡的过来了，便一股脑儿地往外冲去，连膝盖摔破了也惦记着那小鸡。作者在与老板说价过程中，体现了大人的“智慧”，而小孩子们一个劲儿地直嚷嚷要小鸡。而老板定是吃住了这点，便不肯让价。最后生意没有做成，作者教育还在道：“你们大家说好来好来，要买要买，那人就不肯让价了！”小孩子听不懂大人说的，也不能理解大人的思维，作者最后一句话没有说出来，因为下面的话是“看见好的嘴上不可说好，想要的嘴上不可说要。”可是，在这一片天真烂漫光明正大的春景中，作者怎舍得用这种思想去玷污那烂漫。

Some people say that his writing has an individualistic color. I agree with that, but I want to ask, does not everyone's writing tend to be more or less personal? I like his prose. He writes people's intuitive feelings in a language close to philosophy, which makes you feel so deep but close to the people's hearts. For example, "I, our adult, have been vigilant in my behavior because the muscles and bones of my hands and feet have been cramped under the pressure of various realities". Another example is in Children, because of the time gap between adults and their children, the description of their lifestyle is "because of my kind of life, or sit idly, meditate, or study, search, or perfunctory, entertainment, compared with their innocent, sound, active life, it is clearly changing, sick, disabled." The behavior and way of life of adults and children or children are obviously different. I often envy those innocent children of five or six years old. Like is like. I just want to get something, open my mouth, and hit you if I want to. But we adults live in a circle of lies, just like in the essay "Being a Father", the author's youngest son Yuan Cao heard that the chicken seller was coming, He rushed out, even thinking about the chicken when he broke his knee. In the process of bargaining with the boss, the author reflected the "wisdom" of adults, while children kept clamoring for chickens. The boss will not allow the price after he has eaten and lived this point. In the end, the business did not succeed. The author also said: "You all agreed to come and buy, and that person would not let the price go!" Children can't understand what adults say, nor can they understand their thinking. The author didn't say the last sentence, because the following sentence is "Don't say yes when you see a good mouth, and don't say yes when you want to." However, in this innocent and aboveboard spring scene, how can the author be willing to use this kind of thought to smear the artlessness.

作者的散文多是对家庭，孩子，亲友而写的随性之感，记录着他的孩子们那么多天真烂漫的时刻，回忆着自己的成长 ，并有关于其对住所缘缘堂的深刻感情。当缘缘堂被暴寇所毁，作者在《告缘缘堂在天之灵》中写道：你是我安息之所。你是我的归宿之处。我正想在你的怀里度我的晚年，我准备在你的正寝里寿终。在这一散文里，作者不仅抒发了对于暴寇侵占缘缘堂的愤恨，更是表达了列强肆意侵略摧毁我国领土的愤怒，将其散文从个人主义提升到了爱国主义，从而使整个散文集提升了一个高度，赋予了它爱国主义的浓厚色彩。并在篇末，表达了“最后的胜利快到了！你不就一定会复活！我们不久一定团聚，更光荣的团聚”这一希冀。

The author's prose is mostly about the casual feeling of family, children, relatives and friends, recording so many innocent moments of his children, recalling his own growth, and about his deep feelings for the fate of his residence. When the Yuanyuan Hall was destroyed by violent bandits, the author wrote in "Telling the Spirit of Yuanyuan Hall in Heaven": You are my resting place. You are my home. I just want to spend my old age in your arms, and I'm going to die in your bedroom. In this essay, the author not only expressed his hatred for the violent bandits' occupation of Yuanyuantang, but also expressed the anger of the foreign powers' wanton invasion and destruction of our country's territory, which promoted his prose from individualism to patriotism, thus raising the whole collection of essays to a higher level and giving it a strong color of patriotism. And at the end of the article, he expressed the hope that "the final victory is coming! You will not be resurrected! We will be reunited soon, and more glorious reunions".

“我有馨香携满袖，将求麟风向天涯”，这就是丰子恺。随性，艺术，漫不经心却时常有惊人之笔，这就是丰子恺的散文。

"I have a sweet fragrance with full sleeves, and will seek the wind direction of Lin." This is Feng Zikai. Casual, artistic and careless, Feng Zikai's prose is often surprising.

缘缘堂随笔读后感 篇5

最近品读了丰子恺关于父母与儿女的几篇小文章，深深觉得读这些文字就如同在与朋友闲话家常，亲切自然，不拘形迹，平淡而又深刻。

Recently, I read Feng Zikai's articles about parents and children. I deeply feel that reading these words is like chatting with friends about family affairs. They are kind, natural, informal, plain and profound.

在《儿女》一篇中，丰子恺从父亲的角度，讲述了自己送走孩子之后独居时的内心感受。“就在送走孩子的当晚，他把剩在灶间里的很多东西都送给了别人，唯独留下了四双小鞋子。”留下小鞋子这一举动，丰子恺对儿女感情的殷切和内隐，不禁使我感同身受。

In the article "Children", Feng Zikai, from the perspective of his father, described his inner feelings when he lived alone after seeing off his children. "On the night of seeing off the child, he gave away many things left in the kitchen to others, except for four pairs of small shoes." Feng Zikai's ardent and implicit feelings towards his children can not help but make me feel the same.

不知道我的父母在我离家之后会以怎样的形式想念我，但我却讶异自己也会像丰先生一样，通过留念一些小物品去留念家人。在很多个外地求学和工作的日子里，我都会将家中的一些小物件留在身边，有时是和父母的合影，有时是屋子里的一个小摆件，更多的时候只是钱包中夹着的一块糖果，一粒瓜子，仿佛思念也要有“抓手”。

I don't know how my parents will miss me after I leave home, but I am surprised that I will remember my family by remembering some small things like Mr. Feng. In many days when I studied and worked in other places, I would leave some small things at home with me. Sometimes I took a group photo with my parents, sometimes it was a small ornament in the room, and more often it was just a piece of candy or a melon seed in my wallet. It seemed that I had to have a "handle" for missing.

不管多大，我们都是父母脸前的小孩子。

No matter how old we are, we are all children in front of our parents' faces.

姥姥在七十有余的时候还会经常塞钱给妈妈，妈妈宁愿将就自己也不愿委屈我们，她们都是将自己最深沉的爱奉献给了下一代，也将这种无私奉献的精神传承给了下一代。

Grandma often gave money to her mother when she was more than 70 years old. My mother would rather make amends to herself than wronged us. They all gave their deepest love to the next generation and passed on the spirit of selfless dedication to the next generation.

天下的父母恐怕都是这样子。

I'm afraid all parents are like this.

但观察过诸多家庭的相处模式，我发现人在成年组建家庭后，给自己孩子的爱会有一大股，给父母的爱却只有一小缕，纵使只有这一小缕，很多时候还掺杂了埋怨和不耐烦，仿佛一代一代都是这样过来的，觉得正常的同时又有点惋惜。

However, after observing the living patterns of many families, I found that people will have a large amount of love for their children and only a small amount of love for their parents after they have established a family as adults. Even if there is only a small amount of love, many times it is mixed with complaint and impatience, as if generations have come through this way, feeling normal and a little sorry at the same time.

什么时候我们和父母的关系没有儿时那样亲密了？最后一次抱着妈妈的脖子睡，最后一次在赶集的时候拽着妈妈的衣服。.。.。.都已经记不清了。什么时候父母会见我们的脸色行事了，什么时候我们会在离别的时候才蓦然发现光阴偷走了过往的种种。

When did our relationship with our parents become less intimate than when we were children? The last time I slept with my mother's neck in my arms, and the last time I dragged my mother's clothes during the market I can't remember clearly. When did our parents meet our face and act? When did we suddenly find that time has stolen the past when we left.

思考这其中的原因，不过是我们身边有了比父母更重要的人罢了……

The reason for this is that we have people who are more important than our parents

今天我从丰子恺笔下解读了父母深沉的爱，但父母那深沉的爱又何必从别人那里获知呢？他们对你所有社交媒体账号的关注，不过是想在你不理他们的时候悄悄看一下你在忙什么；他们发现你居家办公很忙很焦躁时，用手势、表情和极低的声音交流，不过是为每一个突如其来的工作电话创造安静的环境；他们向你随时分享的家里的花开、猫的长大、新买的衣服，也不过是想多多参与被越来越多家庭以外的事情所侵占的时光。

Today, I read my parents' deep love from Feng Zikai's works, but why should I learn from others? The attention they pay to all your social media accounts is just to see what you are doing when you ignore them; When they find that you are busy and anxious at home and work, they use gestures, expressions and very low voice to communicate, which is just to create a quiet environment for every sudden work phone call; The flowers at home, the growing up of cats, and the newly bought clothes they share with you at any time are just the time they want to participate in more and more things outside their families.

我们深谙越长大，离曾经不断环绕的家庭大树越来越远，远到最终我们也成为一棵最终被环绕的大树。

We know that as we grow up, we will be farther and farther away from the family tree that has been surrounded by us, and eventually we will become a big tree that is finally surrounded.

当我们静心思考这一切，定会是无奈的，但我们是可以做些什么的。在工作没那么紧急的时候，不要把火无缘无故发到父母身上，也不要搁置每一条留言和问候，他们知道你很忙，聊天也不过几十秒；就像父母曾经对我们的那样，不定时的零食“投喂”一下，他们会觉得你三天前就在想他们了。

When we meditate on all this, it will be helpless, but we can do something. When the work is not so urgent, don't send the fire to your parents for no reason, and don't put aside every message and greeting. They know you are busy and chat for only a few seconds; Just like our parents once did to us, they will feel that you have been thinking about them three days ago when you "feed" them from time to time.

读书有时不是要获取什么吧，也许是让我们对一段关系进行反思。

Reading is not about getting something, maybe it's about reflecting on a relationship.

今晚最大的收获。

The greatest harvest tonight.

缘缘堂随笔读后感 篇6

最近看完丰子恺先生的《缘缘堂随笔》，丰先生睿智的思维和豁达的人生态度，让我敬畏万分，其中《渐》让我感处最深。

Recently, after reading Mr. Feng Zikai's Essay on Yuanyuantang, I was awed by Mr. Feng's wise thinking and open-minded attitude towards life, among which Gradual impressed me most.

“在不知不觉中，天真烂漫的孩子“渐渐”变成野心勃勃的青年，慷慨豪侠的青年“渐渐”变成冷酷的成人；血气旺盛的成人“渐渐”变成顽固的老头子。渐的作用，就是用每步相差极微极缓的方法来隐蔽时间的过去与事物的变迁的痕迹，使人误认其为恒久不变。这真是造物主骗人的一大轨迹！造物的骗人，使人流连于每日每时的生的欢喜而不觉其变迁与辛苦，就是用这个方法的。” ——《渐》

"Unconsciously, naive children" gradually "become ambitious young people, and generous chivalrous young people" gradually "become cold adults; Vigorous adults "gradually" become stubborn old men. The function of gradual change is to conceal the traces of the past of time and the changes of things with a very slight and slow difference in each step, so as to make people mistake it as permanent. This is really a big track of the Creator's deception! It is in this way that the deceptive nature of creation allows people to enjoy life every day and every hour without being aware of its changes and hardships. "—— Gradual

“渐”是无形的，你看不到她轻轻挪移的脚步，渐又是有形的，多年后你会惊诧她改变世界的巨大力量；“渐”能掩盖很多变化，使身在其中的人感觉不到，局外的人也难于感觉到。因此，当一个人奋斗一生逐步走向人生的巅峰时，我们不会觉得惊诧，因为他付出的努力与艰辛人们可以一幕幕地回想起来，虽然那些都已成为过去，但依然清晰。同样，当一个人从温柔富贵之乡中逐步走向破落衰败，只要其中经历了几十年，人们在感叹的时候，也觉得没有什么稀罕了，很多平民百姓正是希望有一些变数，使他们不至于永远处在社会的最底层，当然，他们在祈祷上苍时，并没有求佛不给那些富贵之家关照。事实上，一个家庭顺延几代之后，就会有一些崛起与落差，少有十代都富贵而谦和的，因此，社会上流传这样的说法：家无三代富，清官不到头。这是规律，这也是伤感，这更是无奈——没有读懂人生的无奈。

"Gradual" is invisible. You can't see her gently moving steps. Gradual is tangible. After many years, you will be amazed at her great power to change the world; Gradualness can cover up many changes, making it difficult for people who are in it to feel, and for outsiders to feel. Therefore, we will not be surprised when a person's life is gradually moving towards the peak of life, because his efforts and hardships can be recalled one after another. Although they have become the past, they are still clear. Similarly, when a person gradually moves from a gentle and rich town to a dilapidated and declining place, as long as it has gone through several decades, people feel that there is nothing rare when they sigh. Many ordinary people just hope that there are some variables, so that they will not be at the bottom of the society forever. Of course, when they pray to God, they do not ask Buddha not to care for those wealthy families. In fact, after a family is extended for several generations, there will be some rise and fall. Few generations are rich and modest. Therefore, it is said in the society that no family is rich for three generations, and no honest official can end. This is the rule, this is also sad, this is more helpless - no understanding of life helpless.

正因为人生是如此短暂，即使你能活上百来岁，或者与彭祖一样以八百岁为人生之秋，对于浩渺的宇宙来说也是短暂的。人都是时间这一辆永恒列车上的一员，不同的是，有的人从这里上车，有的人从那里上车，有的人在这里下车，有的人在那里下车，每一站都有人上下，如果人们的人生如同上下车一样，那便是圆满：上车便是喜悦，下车更是喜悦。达到这一境界是异常难的，不是有很多人因为在车上打瞌睡，一不小心该下车时却未下车，这于人生来说也许不是很大的悲哀，人们只是这样说：好死不如赖活着，但这样的生命没有多大价值。那些在车上不安分的人，甚至危害乘客安全的将会被提前逐下车，于人生来讲，那便是生命的结束。

Just because life is so short, even if you can live for a hundred years, or take eight hundred years as the autumn of life like Peng Zu, it is also short for the vast universe. Everyone is a member of the eternal train of time. The difference is that some people get on here, some get on there, some get off here, some get off there, and people get on and off at every station. If people's lives are like getting on and off, it is perfect: getting on the train is joy, and getting off is even more joy. It is extremely difficult to reach this level. It is not that many people do not get off the bus when they should have gotten off because they doze off in the bus. This may not be a great sorrow in life. People just say that it is better to live than to die, but such a life has little value. Those who are restless on the bus, or even those who endanger the safety of passengers, will be expelled early. In terms of life, that is the end of life.

因为时间的顺延性与不可逆转性，人生便是唯一的，也可以说是一次性的，从这一角度讲，人生真不如南山脚下一株草，枯草逢春又添绿，人生枯老无再春。既然这样，我也能理解庄子面对妻亡这一世人公认的大打击为什么会鼓盆而歌：人从生到死，都是自然的，如同四季更替，万物更新。万物的存亡都有定数，严格地讲，世界上没有永恒的物质，更难有永恒的精神与信仰。

Because of the continuity and irreversibility of time, life is unique, which can also be said to be one-time. From this point of view, life is really inferior to a grass at the foot of Nanshan Mountain. The withered grass grows green again in spring, and life is withered and old without spring. In this way, I can also understand why Chuang Tzu sang in the face of the universally recognized blow of his wife's death: people are natural from birth to death, just like the seasons change and everything changes. All things have their own destiny. Strictly speaking, there is no eternal material in the world, and it is more difficult to have eternal spirit and belief.

缘缘堂随笔读后感 篇7

一个虔诚的佛教徒，一位广博的学者，一个平实的凡人，一位真切的彻悟者，丰子恺，不仅能以其简洁白描般的漫画引人深思，一本薄薄的《缘缘堂随笔》也让人掩卷漫思、受益良多。最近看完丰子恺先生的《缘缘堂随笔》，丰先生睿智的思维和豁达的人生态度，着实让我敬畏万分。

Feng Zikai, a devout Buddhist, a broad scholar, a plain ordinary person, a true and thorough thinker, can not only draw people to think with his simple and plain cartoon, but also make people ponder and benefit a lot from a thin copy of "Yuan Yuan Tang Essay". Recently, after reading Mr. Feng Zikai's Essay on Yuanyuantang, I was awed by Mr. Feng's wise thinking and open-minded attitude towards life.

他在书中写道：“我似乎看见，人的心都有表皮。这表皮的质量与重数，依个人而不同。有的人的心似乎是用单层的纱布包的，略略遮蔽一点，然而真的赤色的心的玲珑的姿态，隐约可见。有的人的心用纸包，细细摸起来也可以摸得出。且有时纸要破，露出绯红的一点来。有的人的心用铁皮包，甚至用到八重九重。那是无论如何摸不出，不会破，而真的心的姿态无论如何不会显露了”。和下一句：“我家三岁的瞻瞻的心，连一层纱布都不包，我看见常是赤裸裸而鲜红的”。这些话语深深地烙印在我的脑海让我沉思良久。在它里面蕴含了鲜为人知的道理：“每个人的心都有表皮”。的确就是这样，表皮越厚重数越多就更不容易被欺骗，更坚强，但与别人交往的想法与欲望就会越少；反之，表皮越薄重数越少就会容易被人欺骗，更脆弱，但会给人感觉很真实，别人就愿意与你交流、沟通。而瞻瞻呢，却又不一样了，他那一颗没有表皮的、赤红的却是童心。天真、善良这两种性格正是拥有一颗童心的表现。

He wrote in the book: "I seem to see that people's hearts all have skin. The quality and weight of the skin vary from person to person. Some people's hearts seem to be wrapped in a single layer of gauze, which covers a little bit, but the exquisite posture of the real red heart is vaguely visible. Some people's hearts are wrapped in paper, which can be felt even when you touch them carefully. And sometimes the paper is broken, revealing a bit of scarlet. Some people's hearts are wrapped in iron, even using eight times and nine times. That It can't be touched or broken in any way, and the attitude of the real heart can't be revealed in any way ". And the next sentence: "My three-year-old Zhanzhan's heart is not even wrapped in a layer of gauze. I often see it naked and bright red.". These words are deeply imprinted on my mind and make me ponder for a long time. In it, there is a little known truth: "Everyone's heart has skin". Indeed, the thicker the skin, the more numerous it is, the harder it is to be cheated and the stronger it is, but the fewer ideas and desires it has to communicate with others; On the contrary, the thinner the skin is, the less the weight is, the more vulnerable it will be to be cheated by others, but it will make people feel very real, and others will be willing to communicate with you. But Zhanzhan is different. His red heart, which has no skin, is a childlike innocence. Innocence and kindness are the expression of childlike innocence.

另外，丰子恺先生又十分崇拜弘一法师。弘一法师是丰子恺先生学艺术时的老师，又是他学宗教的导师。他的一生，受法师的影响很大。他还认为人的生活，可以分作三层：一是物质生活，二是精神生活，三是灵魂生活。而弘一法师则住在了第三层上，他住在了第二层上，只能在第二层里徘徊，有时能去望望第三层的风景，却不能入，不能真正地进到里面。

In addition, Mr. Feng Zikai adored Master Hongyi very much. Master Hongyi was Feng Zikai's teacher when he studied art, and also his teacher when he studied religion. His life was greatly influenced by the mage. He also believes that human life can be divided into three levels: material life, spiritual life and spiritual life. While Master Hongyi lived on the third floor, and he lived on the second floor. He could only wander in the second floor. Sometimes he could see the scenery on the third floor, but he could not enter.

此外，丰子恺先生总能够把任何事写的透彻。就拿吃瓜子这件事来说吧，他把瓜子的来源、包装、形状、吃瓜子的方法全都描写了出来。里面有他嗑瓜子时把整粒瓜子全部咬碎时，便会不想再去吃了，可瓜子那非甜非咸的香味会引逗他再吃，拿瓜子没有办法，可再次嚼碎的时候他又会停下来，甚至把瓜子拿到离自己稍远的地方或转过身去，但又和朋友闲聊时，又会发现自己再次吃上了瓜子，而且已经吃了好几粒了。在这之后便对瓜子产生了恐惧心理，不敢再吃瓜子了。 在丰子恺的笔下，任何事物都具有了生命，能把文章写成这样正是我敬佩丰子恺先生的缘由。所以，我读了这本书之后受益匪浅，因为里面充满着太多太多的人生哲理了。但给我印象最深最重要的一点还是童心，他是一个佛教徒，但他对童年、童心的渴求也同样是重要的。童年在丰子恺的笔下充满了快乐与欢笑，即使他不能跨入生活的第三层他也希望能再次拥有童年，拥有童心。所以，我们也应该珍惜现在的时间，珍惜我们现在所拥有的每一分，每一秒。

In addition, Mr. Feng Zikai can always write everything thoroughly. Take eating melon seeds as an example. He described the source, packaging, shape and method of eating melon seeds. When he chews up the whole melon seed, he will not want to eat it again. But the sweet and salty smell of the melon seed will tempt him to eat it again. There is no way to take the melon seed, but when he chews it again, he will stop, even take the melon seed to a place far away from him or turn around. But when chatting with friends, he will find that he has eaten several melon seeds again. After that, he became afraid of melon seeds and dared not eat any more. Under Feng Zikai's pen, everything has a life. I admire Feng Zikai for being able to write articles like this. Therefore, I benefited a lot after reading this book, because it is full of too much philosophy of life. But the most important thing that impressed me was the childlike innocence. He was a Buddhist, but his desire for childhood and childlike innocence was also important. Childhood is full of happiness and laughter in Feng Zikai's writing. Even if he cannot step into the third layer of life, he hopes to have childhood again and childlike innocence. Therefore, we should also cherish the time now, cherish every minute and every second we have now.