《头发的故事》读后感优秀8篇

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《头发的故事》读书笔记精选5 篇1鲁迅《头发的故事》读后感800字范文五 篇2《头发的故事》读后感 篇3《头发的故事》读后感 篇4《头发的故事》读书笔记精选5 篇5鲁迅《头发的故事》读后感500字范文五 篇6鲁迅《头发的故事》读后感800字范文五 篇7《头发的故事》读书笔记精选5 篇8

《头发的故事》读书笔记精选5 篇1

在鲁迅先生的《头发的故事》中，N先生这个人物似乎一刻也没有停止对中国人“头发”历史的讲述与评论。他真得是在谈论“头发”吗？

In the Story of Hair by Lu Xun, Mr. N does not seem to stop telling and commenting on the history of Chinese "hair" for a moment. Is he really talking about "hair"?

――其实不然！在看似简单、平淡无奇的“头发故事”背后，却暗藏了先生对辛亥革命的一声长叹：中国的革命，不彻底啊！

Actually not! Behind the seemingly simple and prosaic "hair story", there is a deep sigh for the 1911 Revolution: China's revolution is not thorough!

这并非是后人对先生思想的无端臆测。事实证明，这次革命革得真是不彻底。否则，人们为什么还像清人一样思考问题呢？小说如一面镜子，真实地反映了“新”社会中人们的旧思想。

This is not the groundless speculation of later generations on Mr. Facts have proved that the revolution was not thorough. Otherwise, why do people still think like the Qing people? Like a mirror, the novel truly reflects the old thoughts of people in the "new" society.

《头发的故事》通篇流动着愤激的情绪。n先生在纪念双-十-节时大发感慨：“他们忘却了纪念，纪念也忘却了他们！”民众为什么忘却了对辛亥革命的纪会呢？而那景象又确实让人觉得痛心：到了十月十日这一天，“早晨，警-察到门，吩咐道‘挂旗！’‘是，挂旗！’各家大半懒洋洋的踱出一个国民来，撅起一块斑驳陆离的洋布。这样一直到夜，——收了旗关门；几家偶然忘却时，便挂到第二天的上午。”推翻帝制的革命付出了多少烈士的鲜血，何以民众对革命节的纪念会如此冷漠呢？n先生是亲身经历过辛亥革命的一位民-主主义者，在这时，他不免要为那些在革命中牺牲的故人们而深感悲凉了。他们中，有的虽尚年纪轻轻，便“辛苦奔走了十多年，暗地里一颗弹丸要了他的性命”，有的“在监牢里身受一个多月的苦刑”，有的“怀着远志，忽然踪影全无，连尸首也不知那里去了”，“他们都在社会的冷笑恶骂迫-害倾陷里过了一生；现在他们的坟墓也早在忘却里渐渐平塌下去了。”这场革命使n先生感到唯一“得意的事”，便是早就在留学期间剪了辫子的他，“自从第一个双-十-节以后，在路上走，不再被人笑骂了”，然而最让n先生悲哀的也是，民众除了革去头上的辫子外，没有别的收获，社会状态是换汤不换药，没有实质性的变化。n先生的感慨让我们想起《阿q正传》中所描述的革命后的情形：“……革命党虽然进了城，倒还没有什么大异样。知县大老爷还是原官，不过改称了什么，而且举人老爷也做了什么……带兵的还是先前的老把总。”革命并未带来社会的巨大变革，也没有给民众实际利益，难怪民众对革命节的纪念十分冷漠了。如n先生所述，再进一步追溯，其实民众并不了解什么是革命。这样，他们与革命十分隔膜就是很自然的事了。革命党人并未在国人中进行思想启蒙、唤醒民众，结果，民众只是头上去掉了一根辫子，封建传统思想依然占据着他们的头脑，同时也顽固地统治着社会。在这种情况下，日后的改革也就举步维艰了。无怪乎n先生对现实十分失望、感慨万端。《头发的故事》还用了不少篇幅，描写n先生回忆起当年因为没有辫子遭受人们嘲骂的磨难，这就更强化了对民众的愚昧、麻木进行启蒙的思想意蕴。《头发的故事》内容的深刻性在于，它通过n先生的回顾与思考，提出了一个大问题：面对今天的现实该怎么办呢，不能再致力于象剪辫子似的那种“革命”了吧！作品结合历史教训，沉痛地把尚未完成的思想启蒙这一十分重要的问题，向社会提了出来。

The Story of Hair is full of indignation. When commemorating the Double Tenth Festival, Mr. N sighed: "They forgot the commemoration, and the commemoration also forgot them!" Why did the people forget the meeting of the 1911 Revolution? And that scene really made people feel sad: on October 10, "in the morning, the police - found the door and told them to 'hang the flag!' 'Yes, hang the flag!' Most of the families walked out of a national lazily, pouting up a patchy cloth. So until the night, they closed the door after closing the flag; when some families accidentally forgot, they hung it in the morning of the next day." How many martyrs' blood did the revolution that overthrew the monarchy pay? Why is the people so indifferent to the commemoration of the Revolutionary Day? Mr. N was a democrat who had personally experienced the Revolution of 1911. At this time, he could not help feeling sad for those who died in the revolution. Although some of them were still young, they "worked hard for more than ten years and secretly killed him with a bullet", some "suffered more than a month of torture in prison", some "had ambitions and suddenly disappeared, even the body did not know where to go", and "they all lived their lives in the society's sneer and abuse forced disaster collapse; now their graves have been gradually collapsed in oblivion." The revolution made Mr. N feel that the only thing he was "proud of" was that he had cut his braid long ago when he was studying abroad. "Since the first Double Tenth Festival, he has walked on the road and no longer been laughed at and scolded by others." However, the most sad thing for Mr. N is that the people have no gains except for the braids on their heads. The social state is that the soup is changed and the medicine is not changed. There is no substantive change. Mr. N's emotion reminds us of the situation after the revolution described in The True Story of Ah Q: "... Although the revolutionary party has entered the city, there is no big difference. The magistrate is still the original official, but what has he changed his name to, and what has he done... The leader is also the former general manager." The revolution did not bring about great changes in society, nor did it bring about actual benefits to the people. No wonder the people were very indifferent to the commemoration of the Revolutionary Day. As Mr. N said, going back further, people do not know what revolution is. In this way, it is natural that they are separated from the revolution. The revolutionaries did not enlighten and awaken the people among the Chinese people. As a result, the people just removed a braid from their heads, and the feudal traditional ideas still occupied their minds, at the same time, they also stubbornly ruled the society. Under such circumstances, future reform will be difficult. No wonder Mr. N is very disappointed with the reality. The Story of Hair also uses a lot of space to describe Mr. N's memory of suffering from people's taunts for not having braids, which further strengthens the ideological implication of enlightening people's ignorance and numbness. The profundity of the content of Hair Story lies in that it raises a big question through Mr. N's review and thinking: what should we do in the face of today's reality? We can no longer devote ourselves to the "revolution" like cutting pigtails! Combining the historical lessons, the work painfully puts forward the very important issue of the unfinished ideological enlightenment to the society.

是的，辛亥革命，革掉了反动的旧封建清政府，建立了一个“中华民国”，革掉了人们头上的一条辫子，却革不掉“国民”的封建思想。为什么有人说这一次革命“虽胜犹败”？恐怕就是这原因。

Yes, the 1911 Revolution broke away the reactionary old feudal Qing government, established a "Republic of China", broke away a braid on people's heads, but could not break away the feudal ideology of "the people". Why do some people say that this revolution "won but lost"? I'm afraid that's why.

鲁迅《头发的故事》读后感800字范文五 篇2

《头发的故事》通篇流动着愤激的情绪。n先生在纪念双十节时大发感慨：“他们忘却了纪念，纪念也忘却了他们！”民众为什么忘却了对辛亥革命的纪会呢？而那景象又确实让人觉得痛心：到了十月十日这一天，“早晨，警察到门，吩咐道‘挂旗！’‘是，挂旗！’各家大半懒洋洋的踱出一个国民来，撅起一块斑驳陆离的洋布。这样一直到夜，——收了旗关门；几家偶然忘却时，便挂到第二天的上午。”推翻帝制的革命付出了多少烈士的鲜血，何以民众对革命节的纪念会如此冷漠呢？n先生是亲身经历过辛亥革命的一位民主主义者，在这时，他不免要为那些在革命中牺牲的故人们而深感悲凉了。

他们中，有的虽尚年纪轻轻，便“辛苦奔走了十多年，暗地里一颗弹丸要了他的性命”，有的“在监牢里身受一个多月的苦刑”，有的“怀着远志，忽然踪影全无，连尸首也不知那里去了”，“他们都在社会的冷笑恶骂迫害倾陷里过了一生；现在他们的坟墓也早在忘却里渐渐平塌下去了。”这场革命使n先生感到唯一“得意的事”，便是早就在留学期间剪了辫子的他，“ 自从第一个双十节以后，在路上走，不再被人笑骂了”，然而最让n先生悲哀的也是，民众除了革去头上的辫子外，没有别的收获，社会状态是换汤不换药，没有实质性的变化。n先生的感慨让我们想起《阿q正传》中所描述的革命后的情形：“……革命党虽然进了城，倒还没有什么大异样。知县大老爷还是原官，不过改称了什么，而且举人老爷也做了什么……带兵的还是先前的老把总。”革命并未带来社会的巨大变革，也没有给民众实际利益，难怪民众对革命节的纪念十分冷漠了。

如 n先生所述，再进一步追溯，其实民众并不了解什么是革命。这样，他们与革命十分隔膜就是很自然的事了。革命党人并未在国人中进行思想启蒙、唤醒民众，结果，民众只是头上去掉了一根辫子，封建传统思想依然占据着他们的头脑，同时也顽固地统治着社会。在这种情况下，日后的改革也就举步维艰了。无怪乎n先生对现实十分失望、感慨万端。

《头发的故事》读后感 篇3

n先生在纪念双十节时大发感慨：他们忘却了纪念，纪念也忘却了他们！民众为什么忘却了对辛亥革命的纪会呢？而那景象又确实让人觉得痛心：到了十月十日这一天，早晨，警察到门，吩咐道‘挂旗！’‘是，挂旗！’各家大半懒洋洋的踱出一个国民来，撅起一块斑驳陆离的洋布。这场革命使n先生感到唯一得意的事，便是早就在留学期间剪了辫子的他， 自从第一个双十节以后，在路上走，不再被人笑骂了，然而最让n先生悲哀的也是，民众除了革去头上的辫子外，没有别的收获，社会状态是换汤不换药，没有实质性的变化。

革命党人并未在国人中进行思想启蒙、唤醒民众，结果，民众只是头上去掉了一根辫子，封建传统思想依然占据着他们的头脑，同时也顽固地统治着社会。在这种情况下，日后的改革也就举步维艰了。无怪乎n先生对现实十分失望、感慨万端。《头发的故事》还用了不少篇幅，描写n先生回忆起当年因为没有辫子遭受人们嘲骂的磨难，这就更强化了对民众的愚昧、麻木进行启蒙的思想意蕴。

《头发的故事》内容的深刻性在于，它通过n先生的回顾与思考，提出了一个大问题：面对今天的现实该怎么办呢，不能再致力于象剪辫子似的那种 革命了吧！作品结合历史教训，沉痛地把尚未完成的思想启蒙这一十分重要的问题，向社会提了出来。

《头发的故事》读后感 篇4

《头发的故事》通篇流动着愤激的情绪。n先生在纪念双十节时大发感慨：“他们忘却了纪念，纪念也忘却了他们！”民众为什么忘却了对辛亥革命的纪会呢？而那景象又确实让人觉得痛心：到了十月十日这一天，“早晨，警察到门，吩咐道‘挂旗！’‘是，挂旗！’各家大半懒洋洋的踱出一个国民来，撅起一块斑驳陆离的洋布。这样一直到夜，——收了旗关门；几家偶然忘却时，便挂到第二天的上午。”推翻帝制的革命付出了多少烈士的鲜血，何以民众对革命节的纪念会如此冷漠呢？n先生是亲身经历过辛亥革命的一位民主主义者，在这时，他不免要为那些在革命中牺牲的故人们而深感悲凉了。他们中，有的虽尚年纪轻轻，便“辛苦奔走了十多年，暗地里一颗弹丸要了他的性命”，有的“在监牢里身受一个多月的苦刑”，有的“怀着远志，忽然踪影全无，连尸首也不知那里去了”，“他们都在社会的冷笑恶骂迫害倾陷里过了一生；现在他们的坟墓也早在忘却里渐渐平塌下去了。”这场革命使n先生感到唯一“得意的事”，便是早就在留学期间剪了辫子的他，“ 自从第一个双十节以后，在路上走，不再被人笑骂了”，然而最让n先生悲哀的也是，民众除了革去头上的辫子外，没有别的收获，社会状态是换汤不换药，没有实质性的变化。n先生的感慨让我们想起《阿q正传》中所描述的革命后的情形：“……革命党虽然进了城，倒还没有什么大异样。知县大老爷还是原官，不过改称了什么，而且举人老爷也做了什么……带兵的还是先前的老把总。”革命并未带来社会的巨大变革，也没有给民众实际利益，难怪民众对革命节的纪念十分冷漠了。如 n先生所述，再进一步追溯，其实民众并不了解什么是革命。这样，他们与革命十分隔膜就是很自然的事了。革命党人并未在国人中进行思想启蒙、唤醒民众，结果，民众只是头上去掉了一根辫子，封建传统思想依然占据着他们的头脑，同时也顽固地统治着社会。在这种情况下，日后的改革也就举步维艰了。无怪乎n先生对现实十分失望、感慨万端。《头发的故事》还用了不少篇幅，描写n先生回忆起当年因为没有辫子遭受人们嘲骂的磨难，这就更强化了对民众的愚昧、麻木进行启蒙的思想意蕴。《头发的故事》内容的深刻性在于，它通过n先生的回顾与思考，提出了一个大问题：面对今天的现实该怎么办呢，不能再致力于象剪辫子似的那种“ 革命”了吧！作品结合历史教训，沉痛地把尚未完成的思想启蒙这一十分重要的问题，向社会提了出来。

The Story of Hair is full of indignation. When commemorating the Double Tenth Festival, Mr. N sighed: "They have forgotten the commemoration, and the commemoration has also forgotten them!" Why did the people forget the meeting of the 1911 Revolution? And that scene really made people feel sad: on October 10, "in the morning, the police came to the door and said, 'Hang the flag!' 'Yes, hang the flag!' Most of the families strolled out of a national lazily, pouting out a piece of patchy cloth. This way, until the night, they closed the door after closing the flag; when they accidentally forgot, they hung it in the morning of the next day." How many martyrs' blood did the revolution that overthrew the monarchy pay? Why is the people so indifferent to the commemoration of the Revolutionary Day? Mr. N was a democrat who had personally experienced the Revolution of 1911. At this time, he could not help feeling sad for those old people who died in the revolution. Although some of them were still young, they "worked hard for more than ten years, and secretly a bullet killed him", some "suffered more than a month of torture in prison", some "had ambitions, and suddenly there was no trace, even the body did not know where to go", and "they all lived their lives in the society's sneer, abuse, persecution and collapse; now their graves have been gradually collapsed in oblivion." The revolution made Mr. N feel that the only thing he was "proud of" was that he had cut his braid long ago when he was studying abroad. "Since the first Double Tenth Festival, he has walked on the road and no longer been laughed at and scolded". However, the most sad thing for Mr. N is that the people have nothing to gain except the braids on their heads. The social state is that there is no change in the soup or the dressing, and there is no substantive change. Mr. N's emotion reminds us of the situation after the revolution described in The True Story of Ah Q: "... Although the revolutionary party has entered the city, there is no big difference. The magistrate is still the original official, but what has he changed his name to, and what has he done... The leader is also the former general manager." The revolution did not bring about great changes in society, nor did it bring about actual benefits to the people. No wonder the people were very indifferent to the commemoration of the Revolutionary Day. As Mr. N said, going back further, people do not know what revolution is. In this way, it is natural that they are separated from the revolution. The revolutionaries did not enlighten and awaken the people among the Chinese people. As a result, the people just removed a braid from their heads, and the feudal traditional ideas still occupied their minds, at the same time, they also stubbornly ruled the society. Under such circumstances, future reform will be difficult. No wonder Mr. N is very disappointed with the reality. The Story of Hair also uses a lot of space to describe Mr. N's memory of suffering from people's taunts for not having braids, which further strengthens the ideological implication of enlightening people's ignorance and numbness. The profundity of the content of Hair Story lies in that it raises a big question through Mr. N's review and thinking: what should we do in the face of today's reality? We can no longer devote ourselves to the "revolution" like cutting pigtails! Combining the historical lessons, the work painfully puts forward the very important issue of the unfinished ideological enlightenment to the society.

《头发的故事》读书笔记精选5 篇5

《头发的故事》通篇流动着愤激的情绪。n先生在纪念双十节时大发感慨：“他们忘却了纪念，纪念也忘却了他们！”民众为什么忘却了对辛亥革命的纪会呢？而那景象又确实让人觉得痛心：到了十月十日这一天，“早晨，警察到门，吩咐道‘挂旗！’‘是，挂旗！’各家大半懒洋洋的踱出一个国民来，撅起一块斑驳陆离的洋布。这样一直到夜，——收了旗关门；几家偶然忘却时，便挂到第二天的上午。”推翻帝制的革命付出了多少烈士的鲜血，何以民众对革命节的纪念会如此冷漠呢？n先生是亲身经历过辛亥革命的一位民主主义者，在这时，他不免要为那些在革命中牺牲的故人们而深感悲凉了。他们中，有的虽尚年纪轻轻，便“辛苦奔走了十多年，暗地里一颗弹丸要了他的性命”，有的“在监牢里身受一个多月的苦刑”，有的“怀着远志，忽然踪影全无，连尸首也不知那里去了”，“他们都在社会的冷笑恶骂迫害倾陷里过了一生；现在他们的坟墓也早在忘却里渐渐平塌下去了。”这场革命使n先生感到唯一“得意的事”，便是早就在留学期间剪了辫子的他，“ 自从第一个双十节以后，在路上走，不再被人笑骂了”，然而最让n先生悲哀的也是，民众除了革去头上的辫子外，没有别的收获，社会状态是换汤不换药，没有实质性的变化。n先生的感慨让我们想起《阿q正传》中所描述的革命后的情形：“……革命党虽然进了城，倒还没有什么大异样。知县大老爷还是原官，不过改称了什么，而且举人老爷也做了什么……带兵的还是先前的老把总。”革命并未带来社会的巨大变革，也没有给民众实际利益，难怪民众对革命节的纪念十分冷漠了。如 n先生所述，再进一步追溯，其实民众并不了解什么是革命。这样，他们与革命十分隔膜就是很自然的事了。革命党人并未在国人中进行思想启蒙、唤醒民众，结果，民众只是头上去掉了一根辫子，封建传统思想依然占据着他们的头脑，同时也顽固地统治着社会。在这种情况下，日后的改革也就举步维艰了。无怪乎n先生对现实十分失望、感慨万端。《头发的故事》还用了不少篇幅，描写n先生回忆起当年因为没有辫子遭受人们嘲骂的磨难，这就更强化了对民众的愚昧、麻木进行启蒙的思想意蕴。《头发的故事》内容的深刻性在于，它通过n先生的回顾与思考，提出了一个大问题：面对今天的现实该怎么办呢，不能再致力于象剪辫子似的那种“ 革命”了吧！作品结合历史教训，沉痛地把尚未完成的思想启蒙这一十分重要的问题，向社会提了出来。

The Story of Hair is full of indignation. When commemorating the Double Tenth Festival, Mr. N sighed: "They have forgotten the commemoration, and the commemoration has also forgotten them!" Why did the people forget the meeting of the 1911 Revolution? And that scene really made people feel sad: on October 10, "in the morning, the police came to the door and said, 'Hang the flag!' 'Yes, hang the flag!' Most of the families strolled out of a national lazily, pouting out a piece of patchy cloth. This way, until the night, they closed the door after closing the flag; when they accidentally forgot, they hung it in the morning of the next day." How many martyrs' blood did the revolution that overthrew the monarchy pay? Why is the people so indifferent to the commemoration of the Revolutionary Day? Mr. N was a democrat who had personally experienced the Revolution of 1911. At this time, he could not help feeling sad for those old people who died in the revolution. Although some of them were still young, they "worked hard for more than ten years, and secretly a bullet killed him", some "suffered more than a month of torture in prison", some "had ambitions, and suddenly there was no trace, even the body did not know where to go", and "they all lived their lives in the society's sneer, abuse, persecution and collapse; now their graves have been gradually collapsed in oblivion." The revolution made Mr. N feel that the only thing he was "proud of" was that he had cut his braid long ago when he was studying abroad. "Since the first Double Tenth Festival, he has walked on the road and no longer been laughed at and scolded". However, the most sad thing for Mr. N is that the people have nothing to gain except the braids on their heads. The social state is that there is no change in the soup or the dressing, and there is no substantive change. Mr. N's emotion reminds us of the situation after the revolution described in The True Story of Ah Q: "... Although the revolutionary party has entered the city, there is no big difference. The magistrate is still the original official, but what has he changed his name to, and what has he done... The leader is also the former general manager." The revolution did not bring about great changes in society, nor did it bring about actual benefits to the people. No wonder the people were very indifferent to the commemoration of the Revolutionary Day. As Mr. N said, going back further, people do not know what revolution is. In this way, it is natural that they are separated from the revolution. The revolutionaries did not enlighten and awaken the people among the Chinese people. As a result, the people just removed a braid from their heads, and the feudal traditional ideas still occupied their minds, at the same time, they also stubbornly ruled the society. Under such circumstances, future reform will be difficult. No wonder Mr. N is very disappointed with the reality. The Story of Hair also uses a lot of space to describe Mr. N's memory of suffering from people's taunts for not having braids, which further strengthens the ideological implication of enlightening people's ignorance and numbness. The profundity of the content of Hair Story lies in that it raises a big question through Mr. N's review and thinking: what should we do in the face of today's reality? We can no longer devote ourselves to the "revolution" like cutting pigtails! Combining the historical lessons, the work painfully puts forward the very important issue of the unfinished ideological enlightenment to the society.

鲁迅《头发的故事》读后感500字范文五 篇6

n先生在纪念双十节时大发感慨：“他们忘却了纪念，纪念也忘却了他们！”民众为什么忘却了对辛亥革命的纪会呢？而那景象又确实让人觉得痛心：到了十月十日这一天，“早晨，警察到门，吩咐道‘挂旗！’‘是，挂旗！’各家大半懒洋洋的踱出一个国民来，撅起一块斑驳陆离的洋布。这场革命使n先生感到唯一“得意的事”，便是早就在留学期间剪了辫子的他，“ 自从第一个双十节以后，在路上走，不再被人笑骂了”，然而最让n先生悲哀的也是，民众除了革去头上的辫子外，没有别的收获，社会状态是换汤不换药，没有实质性的变化。

革命党人并未在国人中进行思想启蒙、唤醒民众，结果，民众只是头上去掉了一根辫子，封建传统思想依然占据着他们的头脑，同时也顽固地统治着社会。在这种情况下，日后的改革也就举步维艰了。无怪乎n先生对现实十分失望、感慨万端。《头发的故事》还用了不少篇幅，描写n先生回忆起当年因为没有辫子遭受人们嘲骂的磨难，这就更强化了对民众的愚昧、麻木进行启蒙的思想意蕴。

《头发的故事》内容的深刻性在于，它通过n先生的回顾与思考，提出了一个大问题：面对今天的现实该怎么办呢，不能再致力于象剪辫子似的那种“ 革命”了吧！作品结合历史教训，沉痛地把尚未完成的思想启蒙这一十分重要的问题，向社会提了出来。

鲁迅《头发的故事》读后感800字范文五 篇7

最爱读鲁迅的书。他的作品深沉、苍劲，字里行间隐隐透出时代的影子。犹如窖过几十年的酒，难以捉摸，却又沁人心脾。

I like reading Lu Xun's books best. His works are deep and vigorous, with the shadow of the times looming between the lines. It is like wine cellared for decades. It is unpredictable but refreshing.

翻开封尘往事，穿过一幕幕泛黄的历史。恍然间，我再次回到了周先生的公寓，闻到了空气中淡淡的香烟味和莫名的忧愁。轻轻的谈话声传来，寻声望去，那就是～先生吧？他戴着那顶半旧的洋帽儿，嘴里好像在嘟囔些什么，拉长的脸显得委屈又不平。我坐下聆听他们的谈话。渐渐地，场景变得模糊，渺茫了……

Open the past and go through the yellowing history. Suddenly, I returned to Mr. Zhou's apartment again and smelled the faint smell of cigarettes and inexplicable sadness in the air. The voice of quiet conversation came, looking for reputation, that's Mr.~, right? He was wearing that half worn foreign hat, and his mouth seemed to be mumbling something. His elongated face looked aggrieved and uneven. I sat down and listened to their conversation. Gradually, the scene becomes blurred and indistinct

我被四周的寂静惊醒，于是自觉地摸了一下头发：还好，值得庆幸的是头发还在。便长长地吁了一口气。唉！幸亏没有出生在那个全无阳光的时代，黄金铸造的巨龙已被残食得瘦骨嶙峋，光彩鲜明的五色旗亦变成了斑驳陆离的洋布。这时候，不知有多少个声音在呼喊：中国！站起来！中国！手执镰刀的青年，握着锤子的学生。他们为着同一个理想聚到了一起。1921年，第一束阳光射向东方，在一艘游船上，诞生了不灭的中国共产党！

I was awakened by the silence around me, so I consciously touched my hair: OK, fortunately, my hair is still there. He gave a long sigh of relief. Alas! Fortunately, he was not born in the era of no sunshine. The golden dragon has been eaten to the bone, and the colorful flag has become a mottled canvas. At this time, I do not know how many voices are shouting: China! stand up! China! Young people with sickles and students with hammers. They got together for the same ideal. In 1921, the first beam of sunshine hit the east. On a cruise ship, the immortal CPC was born!

一丝晨曦沿书馆东面窗户射了进来。我关掉那盏昏暗的台灯，走到窗前。那初升的日像一团红色的火焰，殷红。我又凝视那滩革命者的鲜血。曾几何时，它染红了四·一二先烈的长衫。这轮红日，在两万五千里长征途中，在抗日战壕上、在淮海战场上，它见证了共产党人崎岖坎坷的革命之路，它激发了革命者血洒江河，气吞华夏的英雄气概。读书人自古文弱，在这红日下，他们的笔锋化作枪炮，捍卫着风雨中走过的中国共产党，履行了作为一个中国文人的天职。鲁迅、瞿秋白、李大钊用笔杆撑起了一片光明的天空。在党的阳光下，人们最刚毅。

A ray of dawn shot through the east window of the library. I turned off the dim desk lamp and went to the window. The rising sun was like a red flame. I stared at the revolutionary blood again. Once upon a time, it dyed the gown of the martyrs of the Fourth Twelve. This round of Red Sun, on the way of the 25000 mile Long March, in the anti Japanese trenches and in the Huaihai battlefield, witnessed the bumpy revolutionary road of the Communists. It inspired the heroic spirit of the revolutionaries who spilled blood on the river and swallowed up China. Scholars have been weak since ancient times. Under this red sun, their writing skills turned into guns, defending the CPC through the wind and rain, and fulfilling their bounden duty as a Chinese scholar. Lu Xun, Qu Qiubai and Li Dazhao raised a bright sky with their pens. Under the sunshine of the Party, people are the most resolute.

清晨的鸟鸣打破了我的思绪，不知何时，整个校园回荡起《义勇军进行曲》，音乐激荡，随着节奏五星红旗缓缓上升，在半空中飘扬。随着一声哨起，身着整齐服装的学生齐步向前，步伐豪迈，显出无尽的朝气。整个九州大地，万物盎然，燃烧着像一把活火。“星星之火，可以燎原”，当初的那点星火，如今已烧尽祖国各地，整个中原都在烧。在党的阳光下，人们最激情。

The bird singing in the morning broke my mind. I don't know when the whole campus echoed the "March of the Volunteers". The music was stirring, and the five-star red flag rose slowly with the rhythm, flying in the air. With a whistle, the students in neat clothes marched forward with heroic steps, showing endless vitality. The whole land of Kyushu is full of life, burning like a living fire. "A single spark can start a prairie fire." The original spark has now burned all over the country and the whole Central Plains is burning. Under the sunshine of the Party, people are most passionate.

《头发的故事》读书笔记精选5 篇8

【析】 小说通过N先生的无辫之灾，抒发了作者的多重悲哀。

[Analysis] The novel expresses the author's multiple sorrows through Mr. N's disaster without braids.

双十节到了，北京的“国民”们忘却了纪念，以十分漠然的态度来对待中国现代史上具有重大影响的日子。原因何在？是由于“纪念也忘却了他们”，革命并没给他们带来什么，除了革掉一条辫子，乡下却连辫子都没革掉。一切“内骨子是依旧”。但在这革命的途中，多少热血少年曾受苦受难、流血牺牲，所得的却是国民如此的冷漠。“他们都在社会的冷笑恶骂迫害倾陷里过了一生； 现在他们的坟墓也早在忘却里渐渐平塌下去了”。

When the Double Tenth Festival arrived, Beijing's "citizens" forgot to commemorate it and treated the influential days in modern Chinese history with great indifference. Why? It is because "commemoration also forgets them" that the revolution did not bring them anything. In addition to removing a braid, the countryside did not remove even the braid. All "inner bones are still the same". However, on the way to the revolution, how many young people with blood suffered and died, but what they gained was the indifference of the people. "They have all lived their lives in the social scorn, abuse, persecution and collapse; now their graves have been gradually flattened in oblivion".

纪念使人痛苦，忘却倒是幸福。

Remembrance is painful, but forgetting is happiness.

然而这革命却也曾带来短暂的欢欣，当初因为无辫而受难，同事避之惟恐不远，官僚防之惟恐不严，一路冷笑恶骂，本家预备告官，终日如坐冰窖，如临刑场。第一个双十节后，终于可以在路上走不再被人笑骂了。不过这条辫子本非我们民族固有，那是砍了我们古人的许多头才被种定的。扬州十日，嘉定屠城，才不过200多年，人们却早忘记这段血史，反而成了辫子的维护者，跟着来歧视，来迫害了。

However, this revolution also brought a short time of joy. At the beginning, colleagues were afraid to avoid suffering because they had no braids. Bureaucrats were afraid to be lax in their defense. They laughed and cursed all the way. Our family prepared to sue officials, and they were like sitting in an icehouse all day long, like being on the execution ground. After the first Double Tenth Festival, I can finally walk on the road without being laughed and scolded. However, this pigtail is not inherent in our nation. It was planted after cutting off many of our ancient heads. On the 10th day of Yangzhou, Jiading slaughtered the city. It was only 200 years ago, but people had long forgotten this bloody history, and instead became defenders of braids, followed by discrimination and persecution.

一条辫子的革除，反映出中国太难改变了，即使搬动一张桌子、改装一个火炉，几乎也要血；而且即使有了血，也未必一定能搬动，能改装。不是很大的鞭子打在背上，中国自己是不肯动弹的。作者似乎遇到了困难的选择：N先生自己很早就剪了辫，却阻止学生剪辫；自己抗争，希望别人妥协； 为国民的麻木健忘而愤慨，却又怕唤醒他们起来吃苦，愿他们从昏睡入死灭。他借阿尔志跋绥夫的话说：“你们将黄金时代的出现豫约给这些人们的子孙了，但有什么给这些人们自己呢？”作者后来曾回答说：“有是有的，就是将来的希望。但代价也太大了，为了这希望，要使人练敏了感觉来更深切地感到自己的苦痛，叫起灵魂来目睹他自己的腐烂的尸骸”。

The abolition of a braid reflects that China is too difficult to change. Even moving a table or refitting a stove will almost cost blood; And even if there is blood, it may not be able to move and refit. It is not a big whip on the back, and China itself will not move. The author seems to have encountered a difficult choice: Mr. N himself cut his braids very early, but stopped the students from cutting them; Struggle and hope others to compromise; They are indignant at the numbness and forgetfulness of the people, but they are afraid to wake them up and bear hardships. May they go from sleep to death. He borrowed the words of Azibasiv: "You promised the emergence of the golden age to the descendants of these people, but what can you give them?" The author later replied: "There is hope for the future. But the price is too high. For this hope, people should be able to feel their pain more deeply by practicing sensitivity, and call up their souls to witness their own rotting corpses".

由于作者以自己的经历作为小说的主要材料 （N先生的遭遇大体上是作者自己的遭遇，参看鲁迅《病后杂谈之余 （三）》及周遐寿《鲁迅小说里的人物》），因此N先生的感受与情绪在很大程度上是作者自己的情绪。作者认为“生在麻木如中国的地方，却容易吃亏，纵使如何牺牲，也无非毁灭自己，于国度没有影响”，所以“最不愿使别人做牺牲”，然而他自己却偏要作“绝望的抗战”，但这并不矛盾，它体现了作者崇高的人格。事实上，本篇小说里有失望、有悲哀，然而更多的却是愤激。而这愤激，正植根于作者至高无上的民族责任感的。

Since the author uses his own experience as the main material of the novel (Mr. N's experience is generally the author's own experience, see Lu Xun's After Sickness Miscellences (III) and Zhou Yaoshou's Characters in Lu Xun's Novels), Mr. N's feelings and emotions are to a large extent the author's own emotions. The author believes that "being born in a place as numb as China, it is easy to suffer losses. Even if you sacrifice, you can only destroy yourself and have no influence on the country", so "you are most reluctant to make others sacrifice". However, he himself prefers to "fight against despair", but this is not contradictory. It reflects the author's noble personality. In fact, there are disappointments and sorrows in this novel, but more is indignation. And this indignation is rooted in the author's supreme sense of national responsibility.

这篇小说的特点，首先在角度的选择。作者选择了一条辫子的遭遇来“舒愤懑”，一条辫子与一场终于结束了2000年帝制的革命，轻重相差得太远，然而这辫子却不单由满人种在头上，也植根在民族的痼疾里，所以辫子的命运与民族的命运就紧密相连了，这就便于表达作者极为复杂的感受，对辛亥革命的欣喜和失望，对民族病根的忧虑与愤慨，在简洁与单纯的结构中寄寓着博大与丰富。

The characteristics of this novel are, first of all, the choice of angles. The author chose the experience of a braid to "comfort, anger and resentment". A braid is far different from a revolution that finally ended the imperial system in 2000. However, the braid is not only planted by people, but also rooted in the chronic disease of the nation. Therefore, the fate of the braid is closely linked with the fate of the nation, which is convenient to express the author's extremely complex feelings, joy and disappointment at the Revolution of 1911, The anxiety and indignation about the root of the national disease is broad and rich in the simple and simple structure.

其次是反语的运用。全篇是围绕“我最得意的是自从第一个双十节以后，我在路上走，不再被人笑骂”为中心展开的。一场流血革命的结果，竟然只是可以光着头皮在街上走，一条辫子，何其轻微，千万高贵的头颅又何其沉重，这本身就具有强烈的反讽效果。因此小说的整体结构是建立在反语之上，这就构成了蕴蓄全篇的反语概念。所以，我们看到N先生得意的笑容，却分明感受到他的辛酸苦痛；听到的是N先生对辛亥革命的赞美，感受到的却是他深重的失望。小说末尾，我们读到的是激愤的言辞，而感受到的却是一颗对我们民族满贮热爱的心。

The second is the use of irony. The whole article is centered around "My favorite thing is that since the first Double Tenth Festival, I have walked on the road and no longer been laughed at and scolded". The result of a bloody revolution is that you can only walk in the street with your head bare. How slight a braid is, and how heavy a noble head is. This itself has a strong irony effect. Therefore, the whole structure of the novel is based on irony, which constitutes the concept of irony that contains the whole story. Therefore, when we saw Mr. N's triumphant smile, we clearly felt his pain; I heard Mr. N's praise of the Revolution of 1911, but I felt his deep disappointment. At the end of the novel, we read angry words, but felt a heart full of love for our nation.

小说的独特之处在于它同时使用了戏剧化的叙述方式和审美距离原理。既然小说用了作者自己的经验，那末N先生便是一个替代作者的角色，但作者与其替代者保持了相当的距离，距离的获得是由于用了戏剧化的叙述。读者不会将作者与N先生混淆。同时，作者将N先生的叙述置于一个故事的倾听者“我”的叙述的更大的框架中，N先生便成了被塑造的生动的人物形象，脾气乖张，无谓生气，不通世故。并让他躬行他先前所憎恶、所反对的（如用手杖拼命的打了几回），来增大距离，这是一篇将反语、戏剧化叙述与审美距离成功结合的技巧复杂的小说。

The novel is unique in that it uses both dramatic narrative methods and the principle of aesthetic distance. Since the novel uses the author's own experience, Mr. N is a substitute for the author, but the author keeps a considerable distance from his substitute. The distance is obtained because of the dramatic narration. Readers will not confuse the author with Mr. N. At the same time, the author places Mr. N's narration in a larger framework of the narration of the story's listener "I", and Mr. N becomes a vivid character who has been shaped. He is grumpy, pointless angry, and unsophisticated. And let him practice what he hated and opposed previously (for example, he fought with his cane several times) to increase the distance. This is a novel that successfully combines irony, dramatic narration and aesthetic distance.

本篇还溶进了若干杂文的特点，它的叙述方式，如对北京双十节简炼传神的描写所产生的讽刺效果，关于头发的受难史的知识，排比、哲理警语等所构成的抒情效果和政论特点，都是我们在鲁迅的杂文中所习见的，所以这又是一篇杂文化的愤激小说。读者于欣慰中见悲哀，于轻松中见沉重，于调侃中见痛苦，于冷嘲中见热烈，于愤激中见赤诚，引发了读者对于民族与历史的思考。

This article also incorporates the characteristics of several essays. Its narrative methods, such as the satirical effect produced by the concise and vivid description of the Double Tenth Festival in Beijing, the knowledge about the suffering history of hair, the lyric effect and political characteristics formed by parallelism and philosophical warnings, are all familiar to us in Lu Xun's essays. Therefore, this is also an indignant novel of mixed culture. Readers see sorrow in comfort, heaviness in lightness, pain in ridicule, warmth in cynicism, and sincerity in indignation, triggering readers' thinking about the nation and history.